The Modern Martinis

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The Modern Martinis

Friday, July 19, 2024 7:30pm

Bio

The Modern Martinis are an eclectic jazz group based out of New York City featuring Melanie Goerlitz on vocals and Darin Brown on piano and vocals. It’s a vintage jazz sound with a modern twist where you can expect anything from Cole Porter to Amy Winehouse. Before they met, they both performed regularly across the entire globe including with orchestras and major acts. Once they met, there was no denying their chemistry. They both crossover into many styles of music, which keeps their shows interesting and fun. Their worldly vibe will take you from Paris to Rome and Rio in one evening. Melanie is classically trained but crosses all styles. Darin is very much at home with a Sinatra standard or Billy Joel classic. In other words, The Modern Martinis love to shake it up. Follow them on instagram: @modernmartinis.

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Mariella Price

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Mariella Price

Thursday, July 18, 2024 7:30pm

Bio

Mariella Price is an award-winning songwriter and vocalist ( Billboard World Songwriting Contest Grand Prize 2008, John Lennon Songwriting Contest Finalist 2022, USA Songwriting Competition Finalist 2021) and has performed at Carnegie Hall, Radio City Music Hall, NPR’s Tiny Desk Concert, and International Jazz Festivals. In 2015 Mariella led an all female jazz band on a goodwill tour through Nicaragua as cultural ambassadors for The State Department. She has also held residencies at The Top Of The Standard Hotel, The Gansevoort Hotel, The Knickerbocker Hotel, and Tavern On The Green. She has been featured on Sesame Street seasons 40 and 41, and in Elmo’s Music Magic DVD as well as the Grammy Nominated album Fu Chronicles. A genre-busting artist, Mariella is also the co-founder  and co-host of critically acclaimed and long running hip hop jam session, Freestyle Mondays. Chances are you’ve heard her on radio and the dance floor from her collaborations with Mark de Clive Lowe, Nickodemus, Sabo, and DJ Vadim among others.

Mariella is also the founder of Jazz Baby Music- classes, and concerts combining her love of jazz standards, popular music, and multi-sensory play.

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Ken Hatfield & Eric Hoffman

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Ken Hatfield

Tuesday, July 16, 2024 7:00pm

Bio

Song stylist and trombonist Eric Hoffman and award-winning composer and guitarist Ken
Hatfield have performed together for over a decade. They will perform songs from their
extensive repertoire, including music from their 2023 release, Stirrings Still, which deftly
balances introspective originals with fresh takes on standards, both familiar and unexpected.
Ken Hatfield is a leading proponent of jazz played on the classical guitar. Described as “a
veritable Picasso of the jazz guitar world” (20 th Century Guitar), and “one of the most skilled,
creative, and original guitarist/composers currently recording” (Acoustic Guitar), Hatfield is
known for his formidable fingerstyle technique and original compositional voice that draws on
influences as diverse as jazz, blues, classical, Brazilian, and Appalachian music. His important
contributions as a composer have earned him wide recognition, including the prestigious ASCAP
Foundation Jazz Vanguard Award for “innovative and distinctive music that is charting new
directions in jazz” (2006).
Arthur Circle Music has released ten albums with Ken performing his original works, and six
books of his compositions. Mel Bay published his instructional book Jazz and the Classical
Guitar: Theory and Application and features his works in Contemporary Guitar Composers of the
Americas and Master Anthology of Jazz Guitar Solos, Vol. III. Ken’s compositions and writings
have also appeared in numerous jazz and guitar publications, including DownBeat, Acoustic
Guitar, and Just Jazz Guitar.
In addition to composing for ensembles he leads, his compositional experience includes
commissioned ballet scores for Judith Jamison, The Washington Ballet Company, and the
Maurice Béjart Ballet Company, and scores for television and film, including Eugene Richards’
award-winning documentary but, the day came. Ken has performed in a variety of venues
ranging from the JVC Jazz Festival, the Smithsonian Institution and Carnegie Hall to intimate jazz
clubs such as Birdland and 55 Bar. He has performed and/or recorded with a diverse list of
international artists, including Charlie Byrd, Jack McDuff, Jimmy McGriff, Chico Hamilton,
Melissa Manchester, Stephanie Mills, Pat Benatar, Charles Aznavour, Bob Cranshaw, Grady
Tate, Marcus Miller, João Donato, Ben E. King, Eddie Kendricks, Marlena Shaw, Z.Z. Hill, and
Toni Braxton.

Eric Hoffman is a distinctive song stylist with an impressive vocal range. Whether employing an
intimate whisper or his full-voice baritone, he is a master of many styles, convincingly
interpreting genres from jazz to Broadway and everything in between. From Flint, Michigan,
and an Interlochen Arts Academy graduate, Hoffman comes from a musical family. At an early
age he began singing with his grandparents in their church choir. At age ten he took up the
Lowrey 88 Organ before moving on to the trombone. He was a featured singer with big bands
on various cruise lines, working with performers such as Jack Jones, The Spinners, Vic Damone,
and Steve Allen. After moving to New York, Hoffman became a trombonist and featured male
vocalist with Supersound, former Dizzy Gillespie drummer Charli Persip’s big band, appearing

on Persip’s recording Intrinsic Evolution. Eric is a protégé of the legendary Marilyn Maye, who
directed his New York cabaret debut, “A New Nightclub Act,” in 2017. He has performed in a
variety of contexts and ensembles with guitarist Ken Hatfield for the past decade, including
their 2023 duo release Stirrings Still. Eric’s previous albums include Introducing Eric Hoffman
with Oliver Von Essen and Get Together.@winniesjazzbar

 

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Jazz Jam with John Lang

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I
Jazz Jam with the John Lang Quartet

Monday, July 15, 2024 7pm

About John Lang

Bassist John Lang offers a distinguished resume in performance, arranging and composition. Lang is most recognized in New York as a straight-ahead bassist. He hosted the Burgundy Wine Jazz Duets Series for 8 years in the early 2000s, featuring such modern-days stars as Saul Rubin, Ehud Asherie, Kris Kaiser, Yotam Silberstein, Jeremy Manasia, Nat Harris, Vito Dieterle, Larry Ham, Tardo Hammer, Michael Moore and Randy Napolean. Lang’s quintet has performed at Smalls, The Jazz Forum, Fat Cat, Little Branch, Times Square Café, The Hawaiian Tropic Room and Toons.

Lang founded La Onda Va Bien, the Latin jazz ensemble that recorded 2003’s “La Vuelta,” featuring 10 of his original songs. His second CD, “Lend Me Your Ears,” premiered at Smalls in 2009 and was called “a rare collection of swing and modernity” by reviewer Scott Yanow. Lang is a member of the Kolotov Mocktails, a modern jazz band comprised of stellar jazz musicians from across the United States. The band’s 2020 debut recording “Ivy Hall,” is enjoying radio play and positive reviews from fans and critics alike. He released “Now Ear This,” his first electric project, to rave reviews in 2021. “NET” features 9 original songs as well as fresh arrangements of “Pusherman” and “Four on Six” and was produced by jazz legend John Patitucci. Modern drumming powerhouse Richie Morales noted the album’s “clear arrangements, great solos and tight ensemble work. Take a listen!” Lang is currently a member of the Kolotov Mocktails, a new American jazz band. Their debut recording, “Ivy Hall” is enjoying radio play and critical acclaim in America and Europe.

Lang has recorded and arranged for many Broadway singers including Natalie Toro and Rita Harvey, as well as for the cast recordings of Fat Camp and the Adventures of Flat Stanley. His big band arrangements were featured in the 2006 production of “Little Jack Frost,” a recreation of a 1940s radio show, and he has toured internationally with the Jack Cassidy and Adrienne Hindmarsh trios.

Lang also doubles on electric bass and in that capacity has performed and recorded with Kinny Landrum and the Gumbo Roux, Cady Huffman, Mary Ann Renza, Rocksteady, Stolen Moments, and Sis Boom Bah.

He has served on the faculty of the Music Conservatory of Westchester since 2014, and maintains a healthy roster of private students. In the fall 2020 he began studies as SUNY Purchase for a master’s in jazz performance under bassist Doug Weiss. Lang resides in the Hudson River Valley, just north of New York City, with his wife Damaris and son Milo.

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Gabriel Schillinger

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Gabriel Schillinger

Saturday, July 13, 2024 3:00pm

Bio

Born and raised in San Francisco, now based in NYC, Gabriel showcases a catalogue of original music, jazz standards, and arrangements of works by Bill Evans, Chick Corea, Thelonious Monk, Duke Ellington, Cedar Walton, and Keith Jarrett. Gabriel honors the history of these master pianists with performances that are both soulful and hard-hitting. You’ll find him performing almost every night with distinguished jazz musicians at household New York City jazz venues including The Django, Ornithology, The Harlem Jazz Museum, Chelsea Table and Stage, Cellar Dog, and more.

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The Juliet Set (Juliet Ewing)

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The Juliet Set 

Friday, July 12, 2024 7:00 pm

Bio

Ron Drotos on piano
Yoshi Waki on bass

“The Juliet Set”-Juliet Ewing is a NYC jazz vocalist who expertly
sings “vintage tunes for the modern age” revisiting the great jazz
standards and American Songbook favorites with fresh
interpretations. Juliet has a crush on all things “Gershwin” with a
special set of famous tunes and rare gems from the George and Ira
Gershwin songbook.
Juliet has appeared NYC Clubs and jazz spots such as Joe's Pub,
54 Below, Birdland Jazz, Tavern on the Green, Winnie’s
Jazz Bar, Prohibition and the Triad Theater. She had sold out
shows at the Laurie Beechman Theater in NYC and with Ron
Drotos sold out the Jazz on Main club in Westchester. Juliet and
Ron’s jazz and pop recordings can be heard regularly on WERB
global radio on the jazz program. Juliet has appeared on Broadway,
in tours across the US and Europe in leading roles in Broadway
musicals. www.julietewing.com Facebook/Instagram: thejulietset

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Dan Weisselberg

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Dan Weisselberg

Thursday, July 11, 2024, 9:30pm

Bio

Hailing from Israel, Brooklyn resident Dan Weisselberg is a contemporary straight-ahead jazz bass player.

After over a decade of experimenting and learning the world of Jazz and western music, it is easy to hear many influences from both old school bass masters as Oscar Pettiford, Ray Brown, Paul Chambers, Bob Cranshaw, and Ron Carter, alongside bass players of our time – Pat O’leary, Ari Roland, Neal Miner, Tyler Mitchel, and Neal Caine to name a few.

The stylistic range of music Dan is mostly identified with is the great American songbook, as well as Be-Bop and Hard-Bop composers as: Horace Silver, Charlie Parker, Thelonious Monk, Dizzy Gillespie, Barry Harris etc…

His search for deep, warm sound has led him to use gut strings, and to aim for a clean, pure “acoustic” sound. This sound, combined with a wide and supportive sense of beat have made him a name among his peers, and respected by high caliber musicians such as- Grant Stewart, Michael Kanan, Tardo Hammer, Joe Magnarelli, Frank Basile, John Webber, Chris Flory, etc. With whom he plays on a regular basis.

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JJ Sansaverino

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JJ Sansavarino

JJ Sansaverino

Thursday, July 11, 2024 6:30PM

Bio

With multiple Billboard-charting singles, including a BIllboard #1 smash hit with “Style and Elegance”, and four highly acclaimed albums, New York guitarist JJ Sansaverino has reached millions touring the world with his “Benson meets Santana” musical style. An extraordinary performer, JJ has a “take no prisoners” performance attitude, gracing the stage night after night touring on his own or with reggae legend Maxi Priest and bringing his vibe of Smooth Jazz, R&B, and Reggae. A Berklee School of Music graduate and award winner, he has shared the stage with the likes of Maceo Parker, Victor Bailey, Gerald Albright, Randy Brecker, Shaggy, Ricky Lawson, Sean Paul, Rick Braun, the Marley Family, and even performed for Sir Paul McCartney’s wedding in 2002.

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Michael Weiss

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Michael Weiss

Wednesday, July 10, 2024 7:00pm

Bio

“he can focus the intensity in a tune as well as any pianist in mainstream jazz.”
– New York Times
“Weiss’ shrewd writing and arranging skills are as clearly in view as his sleek piano work”
– The New Yorker
“An energy and irrepressible inventiveness… The nimbleness of Weiss’ technique was
matched by the intellectual heft of his ideas.” – Chicago Tribune
“Weiss’ compositions take on different shapes, great complexity and fresh perspectives”
– Washington Post
“One of the most fluent and flexible pianists of his generation.” – BMI Music World
“Combines the wonder of spontaneity with a workmanlike acknowledgment of his
materials: art and craft in delightful balance.” – Chicago Reader
You can tell a lot about a musician by the company he keeps. The star-studded resume
that pianist and composer Michael Weiss has quietly assembled over the past 40 years
proves that some of the greatest names in jazz have long considered Weiss one of the best
in the business. Since arriving in New York in 1982, the Dallas native has forged a
formidable career working in the bands of jazz legends Johnny Griffin, Art Farmer,
Benny Golson, Slide Hampton, Frank Wess, Jimmy Heath and the Heath Brothers,
George Coleman, Charles McPherson, Jon Hendricks, Lou Donaldson, Junior Cook/Bill
Hardman Quintet, Vanguard Jazz Orchestra, and Mingus Epitaph Orchestra. Weiss’
fifteen year association with Griffin, yielded four recordings and annual tours in the USA
and around the world. He has also performed with Joe Henderson, Woody Shaw, Clark
Terry, Clifford Jordan, Gary Bartz, Phil Woods, Pepper Adams, Joe Lovano, Ron Carter,
David Newman, Gerry Mulligan, Nancy Wilson, Randy Brecker, Tom Harrell, Gerry
Mulligan, Wynton Marsalis, and numerous other jazz greats.
As a band leader, Weiss has headlined at the Village Vanguard, Detroit Jazz Festival,
Detroit Symphony Hall, Smithsonian Institution, and major New York venues such as the
Blue Note, Jazz Standard, Birdland, Bradley’s, Iridium, Sweet Basil, Smoke and Merkin
Concert Hall. Reviewing his Vanguard debut, the New York Times wrote that Weiss
“demonstrated a strong sense of leadership and organization” exhibiting “sensitivity and
logic, along with crisp control.” Television appearances include CBS-TV’s Nightwatch
and PBS’ Live From Lincoln Center: The City of Jazz. NPR radio appearances include
PianoJazz with Marion McPartland, Making the Music with Wynton Marsalis, Jazzset, and
the Jazz Piano Christmas Special. Weiss was the 1989 second prizewinner in the
Thelonious Monk Institute’s International Piano Competition.

Weiss has also been recognized for his writing. He was the grand prize winner of the
2000 BMI/Thelonious Monk Institute’s Composition Competition presented to him by
Wayne Shorter, and is a two-time Chamber Music America New Works grant recipient.
Weiss’ compositions reveal eclectic influences from the worlds of jazz, 20th Century
classical and popular music. Weiss focuses on extended forms, thematic development and
attention to detail.
In 2022 Weiss celebrates the release of his fifth recording as a leader, Persistence (Cellar
Live). His previous recordings on the CrissCross, SteepleChase, DIW and Sintra labels
have been hailed by the critics:
“Weiss has a rich palette of composing devices at his command” – Downbeat
“Weiss’ original compositions conjured a distinct world of sound, a testament to the
nature of Weiss’ imagination.” – Chicago Tribune
“Warmth, integrity and above all, originality. Weiss’ originals are formful and dynamic
enough to sound as if they were standards of the genre.” – JazzTimes
“the songs simply smoke” – Detroit Free Press
“Weiss is a vital talent with something important to say” – All About Jazz
“About as close to perfection as a recording can get….If there is truly justice in our
world, this should be a Grammy nominee.” – Jazz Improv
“A prodigious bop-and-beyond pianist and composer…. consummate musicianship and
alluring improvisations” – The Star Ledger
“This music lives and breathes freshness and exhilarating originality. The individual
selections are strong and attractive enough, to still be played as jazz vehicles in 10, 20,
or even 50 year’s time.” – Jazz Journal
“a masterwork. Soul Journey is terrific. The work is majestic, brash and dynamic
throughout.” – Jazzwax.com
As a sideman Weiss appears on recordings of Johnny Griffin, Frank Wess, Charles
McPherson, Steve Grossman, Vanguard Jazz Orchestra, Ronnie Cuber, Louis Smith,
Dick Oatts, the Smithsonian Jazz Masterworks Orchestra and others.
Weiss is deeply committed to jazz education. He has held faculty positions at Indiana
University, Hartt College of Music, Queens College. In master classes and residencies
throughout the world Weiss aims to relay his bandstand experience through a host of
topics that directly address the standards and performance practices required of a
professional jazz musician.
Visit www.michaelweiss.info

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