Originally from Evanston, Illinois, Todd Herbert is a tenor saxophonist and composer based in New York City. Over his long career, Todd has performed as a member of the Freddie Hubbard Quintet, Jimmy Cobbs Legacy Band, the Charles Earland Quartet, among others. Todd has recorded extensively and traveled internationally with his own band, the Todd Herbert Quartet. Notable releases include Path To Infinity, The Tree of Life, and his latest, May Waltz.

Song stylist and trombonist Eric Hoffman and award-winning composer and guitarist Ken
Hatfield have performed together for over a decade. They will perform songs from their
extensive repertoire, including music from their 2023 release, Stirrings Still, which deftly
balances introspective originals with fresh takes on standards, both familiar and unexpected.
Ken Hatfield is a leading proponent of jazz played on the classical guitar. Described as “a
veritable Picasso of the jazz guitar world” (20 th Century Guitar), and “one of the most skilled,
creative, and original guitarist/composers currently recording” (Acoustic Guitar), Hatfield is
known for his formidable fingerstyle technique and original compositional voice that draws on
influences as diverse as jazz, blues, classical, Brazilian, and Appalachian music. His important
contributions as a composer have earned him wide recognition, including the prestigious ASCAP
Foundation Jazz Vanguard Award for “innovative and distinctive music that is charting new
directions in jazz” (2006).
Arthur Circle Music has released ten albums with Ken performing his original works, and six
books of his compositions. Mel Bay published his instructional book Jazz and the Classical
Guitar: Theory and Application and features his works in Contemporary Guitar Composers of the
Americas and Master Anthology of Jazz Guitar Solos, Vol. III. Ken’s compositions and writings
have also appeared in numerous jazz and guitar publications, including DownBeat, Acoustic
Guitar, and Just Jazz Guitar.
In addition to composing for ensembles he leads, his compositional experience includes
commissioned ballet scores for Judith Jamison, The Washington Ballet Company, and the
Maurice Béjart Ballet Company, and scores for television and film, including Eugene Richards’
award-winning documentary but, the day came. Ken has performed in a variety of venues
ranging from the JVC Jazz Festival, the Smithsonian Institution and Carnegie Hall to intimate jazz
clubs such as Birdland and 55 Bar. He has performed and/or recorded with a diverse list of
international artists, including Charlie Byrd, Jack McDuff, Jimmy McGriff, Chico Hamilton,
Melissa Manchester, Stephanie Mills, Pat Benatar, Charles Aznavour, Bob Cranshaw, Grady
Tate, Marcus Miller, João Donato, Ben E. King, Eddie Kendricks, Marlena Shaw, Z.Z. Hill, and
Toni Braxton.

Eric Hoffman is a distinctive song stylist with an impressive vocal range. Whether employing an
intimate whisper or his full-voice baritone, he is a master of many styles, convincingly
interpreting genres from jazz to Broadway and everything in between. From Flint, Michigan,
and an Interlochen Arts Academy graduate, Hoffman comes from a musical family. At an early
age he began singing with his grandparents in their church choir. At age ten he took up the
Lowrey 88 Organ before moving on to the trombone. He was a featured singer with big bands
on various cruise lines, working with performers such as Jack Jones, The Spinners, Vic Damone,
and Steve Allen. After moving to New York, Hoffman became a trombonist and featured male
vocalist with Supersound, former Dizzy Gillespie drummer Charli Persip’s big band, appearing

on Persip’s recording Intrinsic Evolution. Eric is a protégé of the legendary Marilyn Maye, who
directed his New York cabaret debut, “A New Nightclub Act,” in 2017. He has performed in a
variety of contexts and ensembles with guitarist Ken Hatfield for the past decade, including
their 2023 duo release Stirrings Still. Eric’s previous albums include Introducing Eric Hoffman
with Oliver Von Essen and Get Together.@winniesjazzbar

In a career spanning over 4 decades, jazz/blues/gospel guitarist/composer Stew Cutler has established himself as a bandleader, composer and teacher. With 7 record releases to his credit as a bandleader and countless sessions
as a sideman, Cutler’s prolific career is a walk-through musical history.

Stew Cutler was born and raised in New York City and through his innate musical talents, found the guitar at an early age. The guitar and Cutler were destined to be together and at 19 years old, Cutler landed his first job with blues legend Z.Z. Hill. Over time, Cutler immersed himself in studying music and soon thereafter was working with instrumental avant-garde artists Bobby Previte and Eliot Sharp. Cutler moved to Woodstock, NY and worked with bassist Harvey Brooks along with many well-known artists that were emerging in that musical kaleidoscope.

Cutler has worked as a sideman with many musical greats including Percy Sledge, Eddie Floyd, Wilson Pickett, Fontella Bass (featured on Bass’ Grammy nominated album No Ways Tired), Earl King, Jimmy Castor and many more. Cutler has also worked with jazz greats David Sanborn, Bill Frisell, Lester Bowie, Charlie Hunter, Wayne Horvitz to name a few as well as artists as diverse as Meatloaf, Jeb Loy Nichols, David Fanshawe, Sweet Georgia Brown, and Jimmy Dale Gilmore among others.

Cutler’s first two releases, *“Trio Music”* on Fountainbleu records and *“Insignia” *on the Naim label, showcased the identifiable sound that Cutler developed by combining R&B, jazz, melody and noise. With his 3rd release, “So* “Many Streams”* (Fountainbleu), Cutler gets back to basics by digging into the blues and American roots. Cutler’s 4th release titled *”Trio Live” *features Cutler’s guitar prowess in an incredible live performance. His 5th release titled *”After Hours”*, finds Cutler paying tribute to his jazz and soul roots. His 2017 critically acclaimed release titled* “Every Sunday Night” *is a studio recording that captures Cutler’s working band that has a standing Sunday night residency at Arthur’s Tavern in New York City’s Greenwich Village. Cutler is supported by his working band organization including Bobby Harden vocals, Nick Semrad organ, Jullian Pollack organ, Chulo Gatewood bass, Bill McClellan drums and JT Bowen vocal.

In 2018 Cutler was invited to perform on the last European tour of Queen Esther Marrow and the Harlem Gospel Singers. Cutler has been a band member since 2012. Gospel music fans came out to see this legendary performer who received critical acclaim along with a number of notable mentions of Stew’s soulful guitar stylings.

In 2019 Cutlers’ can be found on the soundtrack of Martin Scorsese’s latest film “The Irishman”. Cutler is performing the standard “How High The Moon”. Cutlers’ recognizable sound evokes a dreamlike mood which fits the scene perfectly and is one of the musical highlights in the film. Also in 2019 Cutler was cast as part of the soundtrack for the streaming Amazon TV series, The Marvelous Mrs. Maisel. An American comedy/drama set in the late 1950’s portraying a New York housewife who finds she has a knack for comedy. You can hear Cutler’s playing on the soundtrack of season 2 and 3 and in the upcoming season 4 episode, Cutler will be on camera as well as the soundtrack, featured in the strip club house band, The Wolford Band.

On April 22, 2022 Cutler released his latest recording, “*The Blues From Another Angle*.” A critically acclaimed eclectic mix of originals and covers featuring legendary guitarist Mike Stern and master harmonica player, James Montgomery. This could be Cutlers’ finest recording to date. *The Blues From Another Angle* showcases a room full of top-notch musicians including drummer Bill McClellan, keyboardist Tom Wilson, bassists Booker King and Chulo Gatewood, saxophonist Steve Elson plus vocalists Bobby Harden and Mary Jean Cutler, Stew’s wife. Also showcasing their prowess on the album are guest artists Mike Stern blazing through a guitar solo on “Blews” and James Montgomery making the harmonic sing on “Say What You Mean.” Among the many highlights on *The Blues From Another Angle*, most of which were written or co-written by Cutler, are: the scorching “Night Shift Blues”, which also features Cutler on lead vocals; a fiery cover of Tyrone Davis’ mega-hit “Can I Change My Mind” featuring Bobby Harden on the microphone; the deliciously rhythmic “Get It While You Can” featuring Mary Jean Cutler on lead vocals; a soulful instrumental, “The Passing of RR Moore,” that pays tribute to the late comedian-actor-singer Rudy Ray Moore; and the jazzy album-closer “Shine or Rain.”

Marc Devine is a Jazz pianist/bandleader in NYC. Rooted in the Bebop tradition, Marc Devine is presenting REAL Jazz music and carrying on the message. Developing a taste for Jazz while still in highschool, he attended the University of N ew Hampshire and played with several Jazz ensembles including two big bands and a Jazz choir. While at UNH, Marc was exposed to great Jazz musicians such as Phil Woods, Milt Hinton, Frank Wess, took some lessons with pianist James Williams and was introduced to the music and teaching of legendary trumpeter Clark Terry (famous for his work with Lionel Hampton, Charlie Barnet, Count Basie, Duke Ellington, The Tonight Show Band) and trumpeter Stephen Fulton. Marc went on to study with Stephen Fulton and Morris Nelms at the Clark Terry International Institute of Jazz Studies, where he began to develop a style based on his piano influences Wynton Kelly, Red Garland (both of whom played with Miles Davis), Hampton Hawes, Bud Powell, Count Basie and Errol Garner. Marc also had the opportunity to study and perform with Jazz greats Red Holloway, Butch Miles, Jessie Davis, and, of course, Clark Terry. After leaving the Clark Terry school, Devine moved to the Austin area where he played as a sideman and most often lead his own groups. His bands performed regularly at all of Austin’s Jazz venues and several festivals including The Zilker Park Jazz Festival, The Kemah Jazz Festival, and became a mainstay at the Texas Jazz Festival in Corpus Christi, TX.  Coming to NYC in January of 2009 after establishing himself on the forefront of the Jazz scene in Austin, TX. Marc is making a name for himself as hard swingin’ pianist rooted in the traditions of bebop and swing and has already performed at venues such as Small’s Jazz Club, Smoke, The Iridium, Cleopatra’s Needle (running a weekly trio gig/jam session), The Garage, , Flute Bar, Tomi Jaz, The Velvet Lounge and several other venues both as a sideman and as a leader working with some of the best musicians in the city.  His working bands include the great jazz drummers Fukushi Tainaka (drummer for Lou Donaldson), Jackie Williams (has played with all of the jazz greats including Teddy Wilson, Earl Hines, Barry Harris, Junior Mance, Doc Cheatham, Buck Clayton), bassists Paul Sikivie and Hide Tanaka (bassist for Junior Mance) and has performed with trombonist Benny Powell, saxophonist Jerry Weldon, drummer Jimmy Wormworth and others.  Swingin’!Weblinks:www.marcdevine.com

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