Pete Caldera

View full calendar

Pete Caldera

Thursday, June 6, 2024 9:30pm

Bio

Pete Caldera sings standards, mainly at New York’s Carnegie Club. He performs there monthly and is the primary sub for the long-running ‘Sinatra Saturday’ show with the 11-piece Stan Rubin Orchestra.

 

Away from the stage, Pete writes for the Bergen Record and the USA Today network, covering the Yankees. He is a past chairman of the New York Chapter of the Baseball Writers’ Association of America. 

@winniesjazzbar

 

Make a Table Reservation

Jake G & The Soul Vibrance

Tuesday, May 21, 2024 7:00 PM

Jake G and the Soul Vibrance

Jake G And The Soul Vibrance embody a throwback spirit, appealing to both the older and younger generations. The band provides a sense of nostalgia to those who yearn for the day when one could turn on mainstream FM radio and expect to hear a great song. Their repertoire includes well known hits as well as more obscure tunes.

The face of the band is lead vocalist Jake G aka Jacob Gold. Mr. Gold is a native of Flatbush, Brooklyn which means he was raised in flava’-filled enviornment. He feels it is his appointed duty to inject this inherited flava’ into all those that may cross his path. He possesses the earthy vocal style which authentically represents the genre.

Amos has performed in various renowned venues, such as Jazz at Lincoln Center, Blue Note Jazz Festival, B.B. King’s Blues Club, the Iridium Jazz Club, the 92nd Street YMCA, the New York Public Library, the Smithsonian Museum, Rockwood Music Hall, Webster Hall, the Manderley Bar at the McKittrick Hotel, The Gansevoort Park Ave Rooftop, the St. Regis Hotel., and many more.

Amos Rose has had the pleasure of collaborating with Tatiana Eva-Marie, Cyrille Aimee, Sasha Masakowski, Keita Ogawa, Clarice Assad, Dominic Farinacci, Matt Munisteri, Sam Dillon, Bernard Purdie, Christine Cherry, Spiral Jetty Club, the Ben Kogan Band, Joanna Sternberg, Megg Farrell, and Adrian DiMatteo.

 

View full calendar

Richard Cortez

View full calendar

Richard Cortez

Thursday, May 16, 2024 9:30pm

Bio

Cortez, known for his ambition and extensive knowledge of The Great American Songbook, has shared the bandstand with some of New York City’s most celebrated and respected musicians — Sullivan Fortner, Adam Birnbaum, Paul Gill, Peter Bernstein, Grant Stewart, Alexander Claffy, Joe Farnsworth, Jerry Weldon, Joe Strasser, Nicole Glover, Russell Hall and Emmet Cohen — to name a few.

Splitting his time between a number of weekly residencies at iconic LGBT venues across the city—among them: Club Cumming, Metropolitan Bar, and Rebar—Cortez has focused and refined his artistry while growing his wide fan-base. Recent performances in distinguished productions such as Live at Emmet’s Place with the Emmet Cohen Trio, or Jazz at Lincoln Center’s Jazz at Pride with drummer/bandleader Bryan Carter, have marked the vocalist’s career for success.

Cortez’s openly gay renderings of timeless treasures by Cole Porter, Billie Holiday, Jerome Kern, and so many others deliver sweetness, self-assuredness and disarming vulnerability with a well-timed wit. Richard breathes exciting new life into this beloved material, forever reminding us that as we progress as a society, so do our stories told within these sacred songs.

@winniesjazzbar

 

Make a Table Reservation

William Hill Trio

View full calendar

{“key”:”p5″}

William Hill Trio

Sunday, May 12, 2024 3:00pm

Bio

William Hill III is a pianist, arranger, composer, and bandleader from Detroit,
Michigan. Hill is a graduate of the Detroit School of Arts, and is currently studying at
the prestigious Manhattan School of Music undergoing his baccalaureate education. In
Hill’s pre-collage years, he has been a member of the Detroit Symphony’s Civic Youth
Jazz program performing in the Creative Jazz Ensembe and the Civic Jazz Orchestra and
the Michigian State Univeristy Spartan Youth Jazz Program.

Hill has had the opportunity to participate in many summer extensive jazz camps such
as Jazz House Kids, Jr. Jazz Academy at Lincoln Center, Berklee Summer Programs,
Interlochen Center for the Arts, Motown Lyric Project, Keeping an Eye Summer Jazz
Workshop located at the Conservatorium van Amsterdam, and many others.

Hill is honored to receive awards from programs such as the National YoungArts
Foundation, a multi-year winner in the instrumental contemporary category for the
NAACP ACT-SO National Competition, and the West Virginia Univeristy
International Jazz Piano Competition. Musicians that Hill has worked alongside and
have been mentored by include Marion Hayden, Ralphe Armstrong, Wendell Harrison,
Joe Farnsworth, Marc Cary, Aaron Parks, Ari Hoenig, Wynton Marsalis, Buster
Williams, Christian McBride and many more.

Hill has had the opportunity to perform at the Detroit International Jazz Festival,
Baker’s Keyboard Lounge, Blue Llama Jazz Club, Montclair Jazz Festival,
Smalls Jazz Club, The Django, and many others to name a few. Hill’s passion in life as a
musician is to spread joy to everyone around the world with the music that he produces.

@winniesjazzbar

 

Make a Table Reservation

Ilhan Saferali

View full calendar

Ilhan Saferali

Saturday, May 4, 2024 7:00pm

Bio

Ilhan Saferali is a young award winning jazz musician who is getting his name out on the NYC jazz scene as well as turning heads of many Jazz greats. Ilhan, playing trumpet and piano, has accomplished a lot for himself as a young musician. Ilhan has played with Grammy award wining musicians such as Chucho Valdes and Kamasi Washington, and has worked with the David Suzuki Foundation for their ECOmusicology project. Originally from Vancouver, Canada, Ilhan is now based out of New York City to make a name for himself as an artist and to study at the prestigious jazz program at The New School under the presidential scholarship. Ilhan’s music style takes from classic jazz players such as Bill Evans and Miles Davis and is heavily influenced by modern jazz players such as Christian Scott. Ilhan has studied with world renowned jazz legends such as Emmet Cohen, Benny Benack, Jean-Michel Pilc, Christine Jensen, Brad Turner and many more. He’s been recognized by some of the greatest names in jazz such as Reggie Workman, Jimmy Owens, Joe Magnarelli and more as a special young talent. Ilhan has played at many notable jazz venues and festivals such as Frankie’s Jazz Club (Vancouver), The Jazz Bistro (Toronto) and The Vancouver International Jazz Festivals among many others. Ilhan now spends his time working on his craft, writing music, sitting in at local New York City jam sessions and working on building a name for himself in the New York Jazz scene. You can find Ilhan playing trumpet in New York City as part of veteran tenor saxophonist Eric Wyatt’s quintet, and playing solo piano Thursday through Saturday at the Walker Hotel in the West Village.

@winniesjazzbar

 

Make a Table Reservation

Dennis Lichtman

View full calendar

Dennis Lichtman

Thursday, April 18, 2024 6:30pm

Bio

Dennis Lichtman is a multi-instrumentalist (mainly clarinet, fiddle, and mandolin) who is deeply entrenched in early- to mid-1900’s American music, from traditional jazz and swing to bluegrass and western swing.  His elegant voice carries through on all his instruments, lending a thread that weaves together the various genres he navigates.  Originally from Boston, MA, Lichtman has been living in New York City since 2002.

In August 2018, Lichtman released Just Cross the River, celebrating with two sold-out shows at Dizzy’s Club at Jazz At Lincoln Center hosted by the New York Hot Jazz Festival. The album features nine original compositions inspired by the migration of jazz legends into the borough of Queens, NY beginning in the 1920’s.  The project was instigated by a grant from the Queens Council on the Arts.

Since 2007, Dennis has been the clarinetist and bandleader of the famed Tuesday night traditional-jazz jam session at Mona’s in downtown New York, which was profiled in the New York Times, and has been described by the Wall Street Journal as “ground zero for an emerging late-night scene of young swing and traditional jazz players.” December 2012 saw the release of Tuesdays At Mona’s, a 19-minute documentary about the Mona’s session produced by Hi-Tide Films, accompanied by a live CD of Mona’s Hot Four with 19 guest musicians.

Dennis switches deftly between fiddle, clarinet, and mandolin while leading his western swing sextet, The Brain Cloud, through a broad array of American music including original compositions and new arrangements of old songs.  The Brain Cloud, featuring vocalist Tamar Korn, has held a Monday night residency at the prestigious-yet-intimate Brooklyn venue Barbés since 2011.  The band’s third full-length release, Live At Barbés, was released in April 2017.

Lichtman has performed at Carnegie Hall, major festivals throughout the United States, and on stages in Europe, Brazil, and China. He is on the faculty of the Welbourne Traditional Jazz Camp in Middleburg, VA, and has led college master classes and inner-city school workshops through the Midori Foundation, Lincoln Center’s Meet The Artist Series, and Beijing’s Ping-Pong Productions.He has performed and recorded as a regular member of Ghost Train Orchestra, Pokey LaFarge Band, Nation Beat, Jim Kweskin Band, and many more.

@winniesjazzbar

 

Make a Table Reservation

Pasquale Grasso

View full calendar

Pasquale Grasso

Saturday, April 13, 2024 7:00pm

Bio

It was the kind of endorsement most rising guitarists can only dream of, and then some. In his interview for Vintage Guitar magazine’s February 2016 cover story, Pat Metheny was asked to name some younger musicians who’d impressed him. “The best guitar player I’ve heard in maybe my entire life is floating around now, Pasquale Grasso,” said the jazz-guitar icon and NEA Jazz Master. “This guy is doing something so amazingly musical and so difficult.
“Mostly what I hear now are guitar players who sound a little bit like me mixed with a little bit of [John Scofield] and a little bit of [Bill Frisell],” he continued. “What’s interesting about Pasquale is that he doesn’t sound anything like that at all. In a way, it is a little bit of a throwback, because his model—which is an incredible model to have—is Bud Powell. He has somehow captured the essence of that language from piano onto guitar in a way that almost nobody has ever addressed. He’s the most significant new guy I’ve heard in many, many years.”
As he’s done with many rising jazz stars, Metheny later invited Grasso over to his New York pad to jam and share some wisdom. He’s since become a generous presence in Grasso’s life, and his assessment of Grasso’s playing is—no surprise—spot-on. Born in Italy and now based in New York City, the 30-year- old guitarist has developed an astounding technique and concept informed not by jazz guitarists so much as by bebop pioneers like Powell, Charlie Parker and Dizzy Gillespie and the classical-guitar tradition. His new digital-only EP series, available beginning in June from Sony Masterworks, showcases Grasso in the solo-guitar format, where his intensive studies of both midcentury jazz and classical meld into a signature mastery that is, remarkably, at once unprecedented and evocative.
But whom does it evoke? After a surface listen, Joe Pass and his essential Virtuoso LPs might come to mind. Now listen again. The sparkling, immaculately balanced tone; the tasteful tinges of stride and boogie-woogie rhythm; the stunning single-note lines that connect his equally striking use of chordal harmony—for Grasso, great solo arranging equals Art Tatum.
Many serious guitar heads have been hip to Grasso for a while now and are aware of his jaw-dropping online performance videos, his beautiful custom instrument — built in France by Trenier Guitars — and his early career triumphs. In 2015, he won the Wes Montgomery International Jazz Guitar Competition in New York City, taking home a $5,000 prize and performing with guitar legend Pat Martino’s organ trio. Last year at D.C.’s Kennedy Center, as part of the NEA Jazz Masters Tribute Concert, Grasso participated in a special performance to honor Pat Metheny, alongside his guitar-wunderkind peers Dan Wilson, Camila Meza, Gilad Hekselman and Nir Felder.
These days, Grasso teaches and maintains a packed gig schedule around New York, including frequent solo performances at the popular Greenwich Village haunt Mezzrow, where a regular Monday-night gig allowed him to develop his solo-arranging skillset. Not that Grasso thinks his work is done. “All [of the musicians I love are] inspiration for me to get new ideas and form my style, because it’s still growing,” Pasquale says. “And it’s gonna be growing until the day I die.”
***
How Grasso came to be such a tremendous talent is also, in many ways, the story of his older brother, Luigi Grasso, a gifted alto saxophonist who tours globally as a bandleader and collaborator. The brothers were born and raised in Ariano Irpino, a bucolic hillside town in Italy’s Campania region. Their parents, while not being musicians themselves, were nonetheless passionate music lovers who filled the family home with jazz and classical sounds and took their sons along to events like Umbria Jazz. “Instead of watching TV at night,” Grasso recalls, “my dad would put on a Chet Baker record and we’d listen.”
Both boys started in music young. Luigi, suffering from asthma, began playing sax on the advice of a doctor who believed it would help the 6-year-old with his breathing. Pasquale decided not much later that he needed to play an instrument too, and when he browsed a local shop, the guitar caught his interest immediately. Dad happily bought the instrument, but not before striking a deal with his son: “If I buy this for you, you have to promise me that you’ll practice.” In the ensuing years Pasquale kept up his end of the bargain, as did his brother, hour after hour, every day. Grasso’s mother later bought a book on how to read music, teaching her sons the skill as she absorbed it herself.
Grasso found his first important mentor in Agostino Di Giorgio, a New York-raised guitarist who’d moved to Italy as an adult, to take care of his aging grandparents. Di Giorgio, a spirited, hilarious character and a brilliant musician, was a star pupil to Chuck Wayne, the deeply influential guitarist and educator recognized for his work with Woody Herman, George Shearing and Tony Bennett, among many others. Di Giorgio helped Wayne to codify his distinctive concepts of chords and scales in two highly sought-after books and passed Wayne’s methods along to Grasso. In the summer of 1998, the brothers attended a jazz workshop with bebop-piano royal Barry Harris in Switzerland. Harris showed both boys great kindness, and a relationship was quickly formed. Eventually, the Grasso brothers went from students at Harris’ global lineup of workshops to being two of his right-hand instructors and assistants. To this day, if Pasquale doesn’t have a gig on Tuesday night, he’ll drop in on Harris’ marathon teaching sessions in Manhattan to learn something new.
Harris’ guidance helped to firm up Grasso’s tastes and perspective in jazz, as did a couple of invaluable recordings his father introduced to him: One Night in Birdland, a live Charlie Parker Quintet compilation featuring Bud Powell and Fats Navarro; and Art Tatum’s Solo Masterpieces box set. Regarding the latter, Grasso remembers, “I couldn’t believe it. I would just play that all day, and I couldn’t understand anything he was doing. It seemed like there were two pianos.” Grass felt a near-identical revelation later, after taking in a concert by the renowned classical guitarist David Russell. “I was shocked by his technique,” he says, “because it sounded like two jazz guitars together. I told my dad, ‘Maybe I should study classical, because I think that would help the way I want to play jazz.’” Grasso began in 2008 to fuse his hard- earned jazz technique with classical revisions and refinements at the Conservatory of Bologna, under the tutelage of guitarist Walter Zanetti.
In 2012, the same year that Pasquale toured extensively as a Jazz Ambassador on behalf of the U.S. Embassy, the guitarist relocated to New York. He hit the scene running, soon enough becoming part of working bands led by Ari Roland and Chris Byars, and settling into a regular gig with the late, great saxophonist Charles Davis. Grasso has also performed with Freddie Redd, Frank Wess, Leroy Williams, Ray Drummond, Steve Grossman, Tardo Hammer, Jimmy Wormworth, John Mosca, Sacha Perry, Bucky Pizzarelli, China Moses, Harry Allen, Grant Stewart and Joe Cohn.
On his initial Sony Masterworks recordings, Pasquale explores standards, ballads, and the repertoire of Thelonious Monk, Bud Powell and Charlie Parker, showcasing his sweeping abilities in the most intimate possible setting. Here you can experience his lifetime of listening and of challenging himself to transcend a bar set by Art Tatum so many decades ago. Coming later in 2021 will be Pasquale Plays Duke, including recordings with his trio and featuring vocalists Samara Joy and Sheila Jordan.

@winniesjazzbar

 

Make a Table Reservation

Agustin Grasso

View full calendar

Agustin Grasso

Thursday, March 21, 2024 9:30pm

Bio

Agustin (Augustine in English ) is a musician residing in Brooklyn , NY. He began playing music (drumset) at age 15 and continued his formal education at Escuela de Música Contemporánea  (Berklee International Network) in Buenos Aires.
During this time he studied Latin American folk music traditions and instruments as well as jazz and African American styles.
He decided to move to the US in 2013 with the intention of immersing himself into the vibrant NYC music scene . He has performed at David Rubenstein Atrium at Lincoln Center, the Airtrain Jazz Festival , Harlem Arts Festival , Showman’s, Cleopatra’s Needle and many other music venues throughout the Tristate area .

@winniesjazzbar

 

Make a Table Reservation

Jacob Chung

View full calendar

Jacob Chung

February 29, Thursday, 2024 9:30PM

Bio

Jazz saxophonist/composer Jacob Chung’s dynamic, blues-rooted commitment to swing has charmed audiences in his hometown Toronto and in New York City, where he is currently based. Having established himself as one of the most exciting players in Toronto, he relocated to NYC in 2022 to study with Vincent Herring at Manhattan School of Music. Herring’s mentorship and advocacy for Jacob’s talent led to the recording of Jacob’s sophomore album in December 2023 for the Cellar Music Group label, featuring both Herring and drummer Joe Farnsworth. In the summer of 2023, Jacob performed twice at the Kennedy Center for Performing Arts in Washington D.C., and at the Burlington Jazz Festival (VT) as a member of the prestigious Betty Carter Jazz Ahead program. Since moving to NYC, Jacob has also performed with Peter Washington, the Mingus Big Band, and the Erena Terakubo Septet.
The Jacob Chung Quintet’s 2022 debut album Epistle was received with critical acclaim for its embodiment of the spirit of jazz; “A bunch of swingers that know the history without the baggage, they zip the ears open with a delightful sound that uplifts while it makes you smile” (Chris Spector, Midwest Record). Jacob’s aesthetic direction has drawn comparison to that of the 1990s neo-bop renaissance. Will Chernoff (Rhythm Changes) writes that “Jacob and the band are part of a full-on second generation of Young Lions,” a sentiment expanded upon by Jamie Lee Rake (Shepherd Express): “What they are about is connecting the dots between the sophisticated heat of jazz royalty such as Duke Ellington and Count Basie with a post-bop drive.” The Jacob Chung Quintet has played at several major Toronto venues and festivals including The Rex Hotel, The Jazz Bistro, TD Toronto Jazz Festival, TD Markham Jazz Festival, and Toronto International Film Festival.

@winniesjazzbar

 

Make a Table Reservation