Michael Arenella & His Dreamland Orchestra is the world’s premier Jazz-Age dance orchestra, steeped in the hot-dance band tradition of the 1920s and early 1930s. Their size ranges from a full dance orchestra to smaller incarnations. They play their “Hot-and-Sweet” music anywhere that fine and eclectic tastes meet.
“he can focus the intensity in a tune as well as any pianist in mainstream jazz.”
– New York Times
“Weiss’ shrewd writing and arranging skills are as clearly in view as his sleek piano work”
– The New Yorker
“An energy and irrepressible inventiveness… The nimbleness of Weiss’ technique was
matched by the intellectual heft of his ideas.” – Chicago Tribune
“Weiss’ compositions take on different shapes, great complexity and fresh perspectives”
– Washington Post
“One of the most fluent and flexible pianists of his generation.” – BMI Music World
“Combines the wonder of spontaneity with a workmanlike acknowledgment of his
materials: art and craft in delightful balance.” – Chicago Reader
You can tell a lot about a musician by the company he keeps. The star-studded resume
that pianist and composer Michael Weiss has quietly assembled over the past 40 years
proves that some of the greatest names in jazz have long considered Weiss one of the best
in the business. Since arriving in New York in 1982, the Dallas native has forged a
formidable career working in the bands of jazz legends Johnny Griffin, Art Farmer,
Benny Golson, Slide Hampton, Frank Wess, Jimmy Heath and the Heath Brothers,
George Coleman, Charles McPherson, Jon Hendricks, Lou Donaldson, Junior Cook/Bill
Hardman Quintet, Vanguard Jazz Orchestra, and Mingus Epitaph Orchestra. Weiss’
fifteen year association with Griffin, yielded four recordings and annual tours in the USA
and around the world. He has also performed with Joe Henderson, Woody Shaw, Clark
Terry, Clifford Jordan, Gary Bartz, Phil Woods, Pepper Adams, Joe Lovano, Ron Carter,
David Newman, Gerry Mulligan, Nancy Wilson, Randy Brecker, Tom Harrell, Gerry
Mulligan, Wynton Marsalis, and numerous other jazz greats.
As a band leader, Weiss has headlined at the Village Vanguard, Detroit Jazz Festival,
Detroit Symphony Hall, Smithsonian Institution, and major New York venues such as the
Blue Note, Jazz Standard, Birdland, Bradley’s, Iridium, Sweet Basil, Smoke and Merkin
Concert Hall. Reviewing his Vanguard debut, the New York Times wrote that Weiss
“demonstrated a strong sense of leadership and organization” exhibiting “sensitivity and
logic, along with crisp control.” Television appearances include CBS-TV’s Nightwatch
and PBS’ Live From Lincoln Center: The City of Jazz. NPR radio appearances include
PianoJazz with Marion McPartland, Making the Music with Wynton Marsalis, Jazzset, and
the Jazz Piano Christmas Special. Weiss was the 1989 second prizewinner in the
Thelonious Monk Institute’s International Piano Competition.
Weiss has also been recognized for his writing. He was the grand prize winner of the
2000 BMI/Thelonious Monk Institute’s Composition Competition presented to him by
Wayne Shorter, and is a two-time Chamber Music America New Works grant recipient.
Weiss’ compositions reveal eclectic influences from the worlds of jazz, 20th Century
classical and popular music. Weiss focuses on extended forms, thematic development and
attention to detail.
In 2022 Weiss celebrates the release of his fifth recording as a leader, Persistence (Cellar
Live). His previous recordings on the CrissCross, SteepleChase, DIW and Sintra labels
have been hailed by the critics:
“Weiss has a rich palette of composing devices at his command” – Downbeat
“Weiss’ original compositions conjured a distinct world of sound, a testament to the
nature of Weiss’ imagination.” – Chicago Tribune
“Warmth, integrity and above all, originality. Weiss’ originals are formful and dynamic
enough to sound as if they were standards of the genre.” – JazzTimes
“the songs simply smoke” – Detroit Free Press
“Weiss is a vital talent with something important to say” – All About Jazz
“About as close to perfection as a recording can get….If there is truly justice in our
world, this should be a Grammy nominee.” – Jazz Improv
“A prodigious bop-and-beyond pianist and composer…. consummate musicianship and
alluring improvisations” – The Star Ledger
“This music lives and breathes freshness and exhilarating originality. The individual
selections are strong and attractive enough, to still be played as jazz vehicles in 10, 20,
or even 50 year’s time.” – Jazz Journal
“a masterwork. Soul Journey is terrific. The work is majestic, brash and dynamic
throughout.” – Jazzwax.com
As a sideman Weiss appears on recordings of Johnny Griffin, Frank Wess, Charles
McPherson, Steve Grossman, Vanguard Jazz Orchestra, Ronnie Cuber, Louis Smith,
Dick Oatts, the Smithsonian Jazz Masterworks Orchestra and others.
Weiss is deeply committed to jazz education. He has held faculty positions at Indiana
University, Hartt College of Music, Queens College. In master classes and residencies
throughout the world Weiss aims to relay his bandstand experience through a host of
topics that directly address the standards and performance practices required of a
professional jazz musician.
Visit www.michaelweiss.info
International drummer Orion Turre has performed at the most premier jazz clubs and festivals across the USA as well as having toured the Netherlands, Russia and across the Caribbean. Primarily working as a Jazz drummer in the New York area, Orion has shared the stage with incomparable Jazz greats such as Ed Cherry, Buster Williams, James Carter, Russell Malone, Bruce Williams, Gerald Cannon, TK Blue, Christian Scott aTunde Ajuah, Corcoran Holt, Akua Dixon, Steve Turre. In addition to working the city’s top jazz clubs and leading his own band, Orion also performs as a part of Rhapsody, a first-call Jazz band for the most exclusive private events.
In September 2012 she began attending William Paterson University where she received her Masters in Jazz Piano Performance. She took private lessons with acclaimed pianists Harold Mabern and James Weidman. She also had the privilege of taking a semester of arranging lessons with master Cecil Bridgewater and three semesters of classical piano lessons with the amazing pianist and educator Gary Kirkpatrick. While studying at William Paterson she was also able to perform in ensembles directed by the late master of the piano, Mulgrew Miller, as well as Bill Mobley, Armen Donelian, Rich Perry, Dave Rogers, and Bill Goodwin among others. For her last two semesters she was the pianist in the William Paterson Jazz Orchestra led by head of the WP Jazz Department, Dr. David Demsey. In this band she had the opportunity to perform with NEA Jazz Master Jimmy Heath and legendary jazz vibraphonist Steve Nelson. Kelly also received the Outstanding Graduate Music Student Award for her class. In June 2014 Kelly was chosen to be the pianist in the William Paterson Colombia Band, which toured three cities in Colombia, South America. In Colombia, the band taught at two week long jazz clinics and performed at three large concert halls.
In December 2016 she recorded her debut album “Life Rearranged”(2017) including wonderful musicians Christian McBride, Steve Nelson, Josh Evans, Kush Abadey, Jovan Alexandre, Matt Dwonszyk, Noam Israeli, Tamir Shmerling, and Mike Troy. It is completed and is available on all platforms.
“he can focus the intensity in a tune as well as any pianist in mainstream jazz.”
– New York Times
“Weiss’ shrewd writing and arranging skills are as clearly in view as his sleek piano work”
– The New Yorker
“An energy and irrepressible inventiveness… The nimbleness of Weiss’ technique was
matched by the intellectual heft of his ideas.” – Chicago Tribune
“Weiss’ compositions take on different shapes, great complexity and fresh perspectives”
– Washington Post
“One of the most fluent and flexible pianists of his generation.” – BMI Music World
“Combines the wonder of spontaneity with a workmanlike acknowledgment of his
materials: art and craft in delightful balance.” – Chicago Reader
You can tell a lot about a musician by the company he keeps. The star-studded resume
that pianist and composer Michael Weiss has quietly assembled over the past 40 years
proves that some of the greatest names in jazz have long considered Weiss one of the best
in the business. Since arriving in New York in 1982, the Dallas native has forged a
formidable career working in the bands of jazz legends Johnny Griffin, Art Farmer,
Benny Golson, Slide Hampton, Frank Wess, Jimmy Heath and the Heath Brothers,
George Coleman, Charles McPherson, Jon Hendricks, Lou Donaldson, Junior Cook/Bill
Hardman Quintet, Vanguard Jazz Orchestra, and Mingus Epitaph Orchestra. Weiss’
fifteen year association with Griffin, yielded four recordings and annual tours in the USA
and around the world. He has also performed with Joe Henderson, Woody Shaw, Clark
Terry, Clifford Jordan, Gary Bartz, Phil Woods, Pepper Adams, Joe Lovano, Ron Carter,
David Newman, Gerry Mulligan, Nancy Wilson, Randy Brecker, Tom Harrell, Gerry
Mulligan, Wynton Marsalis, and numerous other jazz greats.
As a band leader, Weiss has headlined at the Village Vanguard, Detroit Jazz Festival,
Detroit Symphony Hall, Smithsonian Institution, and major New York venues such as the
Blue Note, Jazz Standard, Birdland, Bradley’s, Iridium, Sweet Basil, Smoke and Merkin
Concert Hall. Reviewing his Vanguard debut, the New York Times wrote that Weiss
“demonstrated a strong sense of leadership and organization” exhibiting “sensitivity and
logic, along with crisp control.” Television appearances include CBS-TV’s Nightwatch
and PBS’ Live From Lincoln Center: The City of Jazz. NPR radio appearances include
PianoJazz with Marion McPartland, Making the Music with Wynton Marsalis, Jazzset, and
the Jazz Piano Christmas Special. Weiss was the 1989 second prizewinner in the
Thelonious Monk Institute’s International Piano Competition.
Weiss has also been recognized for his writing. He was the grand prize winner of the
2000 BMI/Thelonious Monk Institute’s Composition Competition presented to him by
Wayne Shorter, and is a two-time Chamber Music America New Works grant recipient.
Weiss’ compositions reveal eclectic influences from the worlds of jazz, 20th Century
classical and popular music. Weiss focuses on extended forms, thematic development and
attention to detail.
In 2022 Weiss celebrates the release of his fifth recording as a leader, Persistence (Cellar
Live). His previous recordings on the CrissCross, SteepleChase, DIW and Sintra labels
have been hailed by the critics:
“Weiss has a rich palette of composing devices at his command” – Downbeat
“Weiss’ original compositions conjured a distinct world of sound, a testament to the
nature of Weiss’ imagination.” – Chicago Tribune
“Warmth, integrity and above all, originality. Weiss’ originals are formful and dynamic
enough to sound as if they were standards of the genre.” – JazzTimes
“the songs simply smoke” – Detroit Free Press
“Weiss is a vital talent with something important to say” – All About Jazz
“About as close to perfection as a recording can get….If there is truly justice in our
world, this should be a Grammy nominee.” – Jazz Improv
“A prodigious bop-and-beyond pianist and composer…. consummate musicianship and
alluring improvisations” – The Star Ledger
“This music lives and breathes freshness and exhilarating originality. The individual
selections are strong and attractive enough, to still be played as jazz vehicles in 10, 20,
or even 50 year’s time.” – Jazz Journal
“a masterwork. Soul Journey is terrific. The work is majestic, brash and dynamic
throughout.” – Jazzwax.com
As a sideman Weiss appears on recordings of Johnny Griffin, Frank Wess, Charles
McPherson, Steve Grossman, Vanguard Jazz Orchestra, Ronnie Cuber, Louis Smith,
Dick Oatts, the Smithsonian Jazz Masterworks Orchestra and others.
Weiss is deeply committed to jazz education. He has held faculty positions at Indiana
University, Hartt College of Music, Queens College. In master classes and residencies
throughout the world Weiss aims to relay his bandstand experience through a host of
topics that directly address the standards and performance practices required of a
professional jazz musician.
Visit www.michaelweiss.info
Contemporary Adults hit with the Hits, and always add a fun twist. Izaak Mills (sax) and Seth Myers (upright bass) have been collaborating for over 10 years to bring people an extremely varied and dynamic repertoire of songs and grooves. Together with Charlie Steiner on drums, the trio flows between roles. Whether it’s time for a throbbing dance party or elegant background vibes, Contemporary Adults has something for everyone.
The band have appeared on all the premiere concert stages of Europe and the United States. Band members have appeared in and provided music for Woody Allen movies including: Wild Man Blues, Sweet and Lowdown, Midnight in Paris, Blue Jasmine, Cafe Society, Magic In The Moonlight, and A Rainy Day In New York.
Their driving sound is a testament to the ongoing relevance of New Orleans Jazz and they have an international fan base to prove it. Loved by critics and jazz aficionados alike, they have attracted Jazz icons like Chick Corea, Marian McPartland, Diana Krall and many others who sat in with the band during its twenty year residency at the Cafe Carlyle.
Conal Fowkes (piano/vocals co-leader)
Simon Wettenhall (trumpet/vocals co-leader)
Tom Abbott (clarinet)
Harvey Tibbs (trombone)
Josh Dunn (banjo)
Brian Nalepka (bass)
Rahul Shah is a saxophonist and a woodwind doubler from Birmingham, Alabama. Having
graduated in May of 2022 from Eastman School of Music, he is currently pursuing his graduate
degree in Jazz Performance, as a student of Vincent Herring, at the Manhattan School of Music.
Rahul has participated in programs such as the award-winning First Edition Jazz Band, who have
competed in competitions such as the Savannah Swing Central competition and Essentially
Ellington.
Rahul has had the opportunity to play alongside distinguished musicians such as John Clayton,
Clay Jenkins, and Jeff Cambell just to name a few. He has studied with his role models such as
Vincent Herring, Charles Pillow, Gary Versace, Melissa Aldana, Sam Dillon, Bill Dobbins,
Wycliffe Gordon, Marcus Printup, amongst others.
Trumpet player, band leader, composer, teacher
Trumpeter Danny Tobias brings beautiful swing and individuality to his jazz performances.
Danny has enjoyed performing and recording with artists such as Warren Vaché, Scott Robinson, Rossano Sportiello, Mark Shane, Vince Giordano, David Ostwald, Gordon Webster, Terry Waldo, Jon-Erik Kellso, Kevin Dorn, the Midiri Brothers, and Marty Grosz. He can be seen performing at Birdland, Mezzrow, the Ear Inn, and Zinc Bar, and at jazz festivals/parties across the USA and Canada.
Danny has recorded a number of albums as a leader. His most recent album “Silver Linings” was recorded on Ride Symbol Records.
Danny also mentors musicians of all ages in person, or remotely.
www.DannyTobias.com
